Ben Folds’s new album “Way to Normal” delivers several sensational tracks, but wastes a handful on an experimental New-Age sound.

Folds, who has impressed us for years with his solo career after leaving his band Ben Folds Five, brings us his latest studio-recorded album since the 2006 release of “Supersunnyspeedgraphic.”

“Way to Normal” is not exactly comparable to that of “Songs for Silverman” or “Rockin’ the Suburbs,” but Folds takes some risks with his music, using less piano in some tracks and bringing in an overly hyper sound with tracks like “Free Coffee,” and “Dr. Yang.”

With his ability to sing about the reality and heartache of relationships without any sugar coating, Folds once again delivers his brand of storytelling with a humorous touch that can get anyone to crack a smile.

Perhaps the reason many haven’t warmed up to Folds has to do with his brutal honesty when some listeners simply want to hear songs they can tap their feet to.

While Folds gives you great beats, he pairs it with real feelings.

His songs delve deep into emotions, such as anger and resentment, and require focused listening for the first go-’round.

Other tracks feature the classic Folds sound that will please long-time fans and impress new listeners.

Such tracks as “Kylie from Connecticut” and “Cologne” give a mellow feeling while still telling deep and meaningful stories.

The album’s best song is easily “You Don’t Know Me,” featuring a duet with pianist/singer Regina Spektor.

As a whole, the album is worthy of purchase, with the exception of a few forgettable and, at times, irritating songs.

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