Mike Skinner (a.k.a. The Streets) has just put out a new album, “Everything is Borrowed.” The only problem – it’s not very good.

In the past, Skinner relied on heavy hip-hop beats and interesting wordplay. However, this new record is a lackluster effort in almost all facets.

One of the distinguishing features of The Streets has always been Skinner’s depression. He works through his anger and sadness through his lyrics, so at times it sounds like personal therapy over some insane background noise.

This magnificent system has been replaced by more upbeat, positive, sing-a-long choruses and some downright uplifting lyrics. While there is certainly no problem with being happy, the chorus on “The Flip of a Coin” is a perfect example of Skinner’s evolution as the cheery backup vocals remove the hip-hop element of the song.

As a big Streets fan, it is hard for me to enjoy songs like “The Way of the Dodo,” compared with the brilliance of Skinner’s old work.

While the album is obviously not a very good one, there are still some bright spots. Any fan of The Streets will find some parts appealing. I found myself bobbing my head quite a few times throughout the LP, not to mention the beats are solid.

The problem is that lots of people will hate The Streets on the surface. Skinner’s cockney accent and unconventional rhymes turn off a lot of people right away, and the fear is this record will only serve to alienate them even more.

Do yourself a favor and avoid this record. Instead, pick up “Original Pirate Material” and enjoy the work of a truly talented artist, even though it may be fading out.

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